Classical Guitars
Discover our latest design: The Soundwedge
I, David
Freeman began Building Classical guitars in the early 1980's,
He evolved the small body shape into the current “10”
model, a culmination of 4 different shapes.
All
classical guitars are built with a 40' solera.
Currently basing the brace system on Daniel
Friedrichs bracing pattern, creating stiffness to the inner soundboard
, leaving the rim of the lower bout free to flex.
Results in a strong quick attack with response to the most delicate
Player's nuances for the finer aspects of
Sound Quality.
I
modify the bracing throughout the build, creating Your sound target,
to suit the qualities of the specific wood and sound target, in your
instrument.
Over
fourty-five years experience, working with
guitar woods,
contribute to David's skill in creating a
concert
classical guitar
The
first classical sound
wedge with
a cutaway was built in 2016 for
the
GFA show in Denver.
This
opens room for the mid range frequencies so
Your
frequency is evenly balanced in the bass mid & treble ranges
The
24 frets, new to the Classical world
Extends
Your playing range, and marking the 2nd
octave harmonic
Sideports
with sliding doors are standard on the soundwedge
You
can vary the bass clarity and warmth or Boost the treble response for fast clear higher frequency passages.
The
port monitors the Player, a plus in Ensembles when you want to hear
yourself
I
played and danced
Flamenco in
the 90s This led to a Flamenco model that is
Light,
stiff, and responsive, and short sustain
You
can play quick clear rasguedos. and emotion filled soleras
Using
the experience of all of the above features will ensure
Your
classical guitar will meet the high quality standards You expect